I Love Improv - Who Knew?

April 30th, 2009
Half the time I write improve … well there you go.

Improv improves life. Every week I get a therapeutic level of laughter in the first 10 minutes and it just goes on for hours. I may not prefer to roll on the floor as the human prop as the Ocean, but I could take that on. The possibilities are limitless.

Like I tell my sister and my therapist, Improv is like 2nd grade or 3rd, before cliques and serious crushes. Mostly everyone was invited to a birthday party then. We play games together involving running, moving and being it. When is the last time you did the hokey pokey? And we did it again in NIA! Hokey Pokey 2x in a month!?!

Every week I am surprised. I hear the game and think the instructor is kidding. But he is not kidding that I woud stay still and let another person move my body while I speak a scene with another person speaking a scene while being moved by someone … and the scene is “secret agent” or “farm.” Or the game is he said she said: I talk, give stage direction to scene mate, scene mate talks, gives scene direction to me. Wait, is that a game? Here are the secrets but they only work when you do them http://www.unexpectedproductions.org/living_playbook.htm

It is deconstruction! In action! What is will? What is a prop? What is story?

The array of ways to say yes or no is infinite.

It is light and deep. It is sponaneous. It is storytelling. Improv is a fleeting essence of living.

Why I am a fan of Janice Dickinson

April 17th, 2009

First heard of Janice Dickinson for her 3 books of autobiography and dating advice. Then her story was so preposterous that I thought ‘”ha!” but I never heard of her’. Yet of course I was not a glam magazine reader, nor a Top Model or Reality TV watcher. I am a fan purely because I so enjoy Janice’s books and sense of humor. And, now that I see them, images of her herself and her. She is the perfect model. Models must transform, transfix, and transmute. Models take on personas with feeling. Models embody _______. Fill in the blank. They embody you, yourself and you actually. I painted to a model once who told me that in every painter’s painting of her she saw the painter. The model was the vehicle. Janice Dickinson is also a perfect body, the way she was born. Highly conscious of her fleshy alterations, she is no longer that way. She is still perfect though, being fake (see book 2 of similar title.) Overall, I am a fan of Janice Dickinson because of her sense of humor about life, striving in life, finding and keeping inner peace, accepting one’s self and that “you’ll never lunch in this town again” (note omission of word ‘eat’) name dropping that Janice brings forth in her books. She makes me laugh and she’s nice to look at. I admire her drive for sobriety. What more could you want as a fan???

In Honor of Ada Lovelace Day 2009

March 24th, 2009

Celebrate Hedy Lamarr

 

Frequency hopping uses concepts from piano playing!

 

Next time you use your cell phone, WiFi or Bluetooth, or any other frequency hopping device you can thank Hedy Lamarr and her unique take on conceptualizing music and the piano.

 

Hedy Lamarr invented a new idea for frequency hopping using low tech player piano technology. Her motive was secure wartime communications for radio-guided missiles. But apparently the Navy laughed her and co-inventor composer George Antheil out of the office. They took out a patent in 1942 that was later used by corporations mining innovating technologies in the 1950s and 1960s. The beauty of this invention was the use of the piano, its notes and scales to arrive at a model Hedy and George implemented using the player piano roll of music. Completely out of context, the Navy could not understand its use, and the electronics that made the idea practical and feasible did not come along for decades.

 

Hedy Lamarr was a beautiful movie star during the golden age of Hollywood. Hedy is reported to have said “Any girl can be glamorous. All she has to do is stand still and look stupid.”

I love this story because practicing art frequently leads to seemingly unrelated ideas, and Hedy’s invention winds up being the core of all we take for granted in mobile communications. Plus, who would have expected such a wild smart idea from a movie star? She had a lot of nerve to take her idea so far. So many surprises!

A blank slate sans tele

March 6th, 2009

Dream week ends are meant to mix it up, re-center, and find the true path again amidst the work-a-world daily grind that comes to prevail. My Dream week end was only last Sat-Sun and it came time to hit the sordid stories of the tele: murder, mayhem, atrocity, as tho that is my re-centering. So, the little buggers are gone. I took the cable box in this morning. Ended it all last night on Paris Je T’aime on On Demand (quel surprise). What a find for a beau souvenir. Despite the crowning gem, it was addiction. Like addiction, little gems kept me hooked. But, to keep watching was to crush my hopes and dreams. Oh, a little story at the end of the day seems fine. But, zonking out on my chair more than once it became 3am. And what did I have to show? A painting? A short story? Anything more than that bizarre vicarious TV crush on the men from Numb3rs?  Nope. I’ve seen every episode of Sex and the City. That job is done. Can’t find any more free Californication. So, sanity said make room for your own storytelling. Why make it sit in the back seat? The sheer volume of commercials was the tipping point. Au revoir soccer le foot les samedi matins. Au revoir ChezMaupassant. Bon jour choc de culture sans TV.

Bliss Soaps - great gifts!

February 22nd, 2009

Lilac, jasmine,  rose

Chocolate cherry, butter pecan, cream

Not to eat, it’s soap!

Love this shop on Broadway, Hours 3-10pm

http://www.blisssoap.com

Pecha Kucha Volume 10

February 19th, 2009
I’m having a ball curating this Pecha Kucha - Thanks to the arts leaders and artists who will be presenting! My old fans know this is RadioNet energy of “what is going on.”
~ Sheila

ALL and La Sala

February 10th, 2009

Arts Leadership Lab at Benham Gallery on 1st Avenue in downtown Seattle was the place to be last night. Lots of art and artists. Put on in co-production with La Sala, Latino artists of Seattle are featured in the current show.

I meet many artists along the way, and last night I got to see some of Wanda Benvenutti’s photographs. Poignant and action-packed, they are. Juan Alonso was there but he left before I could meet him. It would have been nice to make his acquaintance because I bought a visit to his studio in Pioneer Square in May at the Artist Trust Benefit Art Auction on Saturday 2/7. There are still spaces, so you could join me for $100. Do you know how once you hear someone’s name they keep popping up? That is how it is with Wendy Call. Haven’t met her yet, but now I own her book Telling True Stories. She has been working with Nirmala Singh-Brinkman, Artist Trust’s EDGE Coordinator, on EDGE Professional Development for literary artists, which starts next weekend. I did meet Victoria, a student at UW who showed me the Peruvian prints she loves at Benham Gallery. We looked at a scene in a courtyard picturing three generations of folks around a game where you throw coins in a frog’s mouth. They are gathered under a vine with huge casavas hanging from it, some men drinking a beverage traditionally made from corn by women, Victoria explained. It is a print from 1931. I met Bob Flor, a poet looking forward to becoming a playwright in his retirement, and writing about the Filipino/a experience. His working life involved writing grants for Metro transit. He put together the first program for domestic violence victims to use King County transit for free. Writer Catalina Cantu, Bob’s fiancée, pointed me toward several wonderful prints of Frida Kahlo. It was lovely to see Hugo Ludena, publisher of Latino Cultural. Hugo has a great story about having a lifetime of photographs in boxes, receiving a GAP to catalog the work, transforming his self-image as an artist, and getting representation by Greg Kucera Gallery!

Is it the beauty of a blog that I don’t have to have documented all of the details to share this rich experience?

~Sheila

Bacon and Tomlin

January 26th, 2009

“No matter how far you deviate from reality, you need the discipline of subject.” Francis Bacon (painter) (Sylvester interview)

“Reality is nothing but a collective hunch.” Lily Tomlin
http://www.lilytomlin.com

NIA - my favorite dance

January 18th, 2009

what a fine way to wake up your body & mind

http://www.niaseattle.com

Hello world! & a conundrum for art

January 12th, 2009
  • Do you really pay attention? Does a high priced ticket increase the value of an art experience? Do we only want and seek art on our terms? ~sheila

Intriguing social experiment about the value of art & artists…
  
A man sat at a metro station in Washington DC and started to play the violin; it was a cold January morning. He played six Bach pieces for about 45 minutes. During that time, since it was rush hour, it was calculated that thousands of people went through the station, most of them on their way to work.

Three minutes went by and a middle aged man noticed there was musician playing. He slowed his pace and stopped for a few seconds and then hurried up to meet his schedule.

A minute later, the violinist received his first dollar tip: a woman threw the money in the till and without stopping continued to walk.

A few minutes later, someone leaned against the wall to listen to him, but the man looked at his watch and started to walk again. Clearly he was late for work.

The one who paid the most attention was a 3 year old boy. His mother tagged him along, hurried but the kid stopped to look at the violinist. Finally the mother pushed hard and the child continued to walk turning his head all the time. This action was repeated by several other children. All the parents, without exception, forced them to move on.

In the 45 minutes the musician played, only 6 people stopped and stayed for a while. About 20 gave him money but continued to walk their normal pace. He collected $32. When he finished playing and silence took over, no one noticed it. No one applauded, nor was there any recognition.

No one knew this but the violinist was Joshua Bell, one of the best musicians in the world. He played one of the most intricate pieces ever written with a violin worth 3.5 million dollars.

Two days before his playing in the subway, Joshua Bell sold out at a theater in Boston and the seats average $100.

Joshua Bell playing incognito in the metro station was organized by the Washington Post as part of an social experiment about perception, taste and priorities of people. The outlines were: in a commonplace environment at an inappropriate hour: Do we perceive beauty? Do we stop to appreciate it? Do we recognize the talent in an unexpected context?

One of the possible conclusions from this experience could be: If we do not have a moment to stop and listen to one of the best musicians in the world playing the best music ever written, how many other things are we missing!!! (author unk: thx internet fwds)

Pearls Before Breakfast - washingtonpost.com

http://www.joshuabell.com/